{"id":9,"date":"2020-05-15T04:47:51","date_gmt":"2020-05-15T04:47:51","guid":{"rendered":"http:\/\/australianpianotrios.com\/?page_id=9"},"modified":"2024-05-02T04:27:49","modified_gmt":"2024-05-02T04:27:49","slug":"research","status":"publish","type":"page","link":"https:\/\/australianpianotrios.com\/?page_id=9","title":{"rendered":"Research"},"content":{"rendered":"

This project is part of a Doctor of Musical Arts candidacy research project, the full title of which is \u2018Exploring contemporary curated performances of Australian works for piano trio through artistic and contextual perspectives.\u2019 In a nutshell, the project involves the contextualisation, curation and collaborative presentation of a series of three performances of Australian repertoire written or arranged by the composer for piano, violin and cello.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>

The people<\/h2>\n

At the heart of this project is musical and ideological collaboration, and the candidate is indebted to the contributions of both the supervision team, Dr Catherine Grant and Daniel De Borah, and the collaborating musicians, Jason Tong (violin) and Kirsten Tong (cello). For more information about the supervisors, collaborating musicians and candidate, please click here<\/a>.<\/p>\n<\/div>

<\/div><\/div><\/div>

The project<\/h2>\n

Follow this link<\/a> to a project description to learn more about the project itself \u2013 what it entails, why it was undertaken, the benefits, its place in the field, the process involved and further reading.<\/p>\n<\/div>

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